By: Lin-Manuel Miranda and Jeremy McCarter
Date Finished: 01.04.17
This is a book for the fans. If you haven’t listened to the soundtrack yet, please don’t cheat yourself. Read less. Listen more.*
I wasn’t sure if the content was more about the show or the man — frankly, I would have devoured either way — but I was pleased to find that it’s almost exclusively a history of the musical and its creators. There plenty of biographies that cover the life of Alexander (one by Ron Chernow comes to mind…) and this book is for the fans.
There are two authors. Jeremey McCarter wrote the prose sections, the three or four pages that discuss the process from inception to Broadway, and Lin-Manuel Miranda, of course, wrote the lyrics (which are published in full). Fortunately for us, Miranda also provided commentary in the margins of every song. As for McCarter, his pace is perfect; the emotional journey of the show’s creation matches the emotional journey of the show almost beat for beat. Each chapter also focuses on a specific person (director, choreographer, actor, etc.) involved in creating the show. These vignettes are masterfully curated with each subject resting in their featured chapter like Goldilocks lying in Baby Bear’s bed. The resulting mix is flawless — an objective narrative from someone who was peripherally involved and a delightful stream of consciousness from the maestro himself.
I wonder (and I’d be interested to hear) what the book is like for someone who’s not a theatre professional. It’s easy for me to envision the room where it happened** because I spend most of my time in such rooms. (At one point, the commentary mentioned a complex calling sequence for the stage manager and I instinctively starting saying, “GO” at the end of every line.) As a theatre artist, this book was both encouraging and inspiring.
For those of you who haven’t gone off the Hamilton deep end yet, let me assure you that the show lives up to the hype. I beg you to listen; however, I encourage to do so in your time. Set aside an evening so that you can hear it in one sitting; it’s much more emotionally damaging, er, moving that way. The book will be here for you when you’re ready.
At the end of the day: For me
*I couldn’t resist poorly adjusting this quote for my own purposes. It is, of course, very unfair of me to use a show quote when addressing the people who don’t know the show but it’s staying.
**Another show quote. This one’s far more legitimate.